Visual Technician
Brynn
AV
During the Live Production Diplmoa at RMIT I gained practical experience in a range of live production elements.
- Video Production
- Camera operation
- Live stream operation
- Lighting design on GrandMA2 + LSC Mantra Lite platforms
- Control Room Technician (EVS, CCU, Vision Mixing)
- Bump in/out crew & manager
- Artist Liaison
- Live Sound Mixing
- Sound post production (Audition + ProTools)
- Mix Stage Monitors
- Audio Networking + Audinate lvl 3
- Test and Tag
- Safety (White Card)
Pre-Uni Experience:
5 years in small scale live theater + music
Work experience with Brunswick Picture House’s Cheeky Cabaret (Producers of La Soirée and Club Swizzle)
Lighting technician for Senior high school Drama and Music performances, (2yrs)
Creator and actor with “BYT” (Byron Youth Theatre) education and activism. (5yrs)
I have a passion for broadcast and live stream technology, video production, and lighting design.
I have enjoyed operating live streams for over a year as a hobby for personal development and experience.
My career goal is to become involved with the esports industry, improving the production value through my knowledge gained as a gamer and esports spectator. As well as promoting a safer environment for women and minorities.
SServices
Services
Lighting Design
Programmed cues, scenes, & looks on GrandMA2
Operated MA2 console & windows system during music video shoot for Persecutions blues at RMIT’s Collide 2021
Address complex lighting system (moving fixtures & hazers)
Documentation of Patch sheet and Lighting Plot
Camera Operator
Operated professional 4k broadcast camera on a pedestal during multiple music video shoots.
Notable shots include:
Dolly + zoom maintaining focus
Tracking vocalist across the stage, maintaining focus
CCU Operator
Set White balance and exposure levels before shoot
Maintaining exposure levels on 6 feeds during recording
Bump Manager
Bump in/out Collide 2021: Lighting fixtures & cables, Vertical truss, Drum Riser, Hazer (inc addressing)
Supervised artist equipment transfer to testing & tagging then studio.
Vision Mixing
Switching between 6 camera feeds + graphics under instruction from director during “live to air” broadcast simulation.
EVS Operator
Operated 2 LSM EVS remotes during music video shoot
Documented timestamps, take number, filename, etc
Managed media between recording sessions to securely store live program + 6 camera feeds